May 22, 2012
Video: Sleigh Bells - "Demons"
How to Dress Well announces new album
Members of Spoon, Wolf Parade form Divine Fits
Preview: Lady Gaga's Simpsons Appearance
Listen: Lana Del Rey Posts New Song 'Never Let Me Go'

May 21, 2012
Merge to reissue Sugar catalog
Stream the new album by the Walkmen
May 18, 2012
Video: Alcest - "Les Voyages De L'Âme"
Antony and the Johnsons announce live album
Kurt Vile, Perfume Genius, others added to National-curated ATP
May 17, 2012
New York State Senate honors Adam Yauch
My Bloody Valentine announce Japan tour dates
May 16, 2012
R.I.P. Go-Go godfather Chuck Brown
Video: Feist - "Cicadas and Gulls"
Dirty Projectors reveal album art, deluxe release info
Youth: there's an edgy, exciting energy about it that's undeniable. There are also tendencies towards wearying excess, growing pains and acne; of puppy love becoming dog-eared. Los Campesinos!' two 2008 releases, Hold On Now, Youngster and We Are Beautiful We Are Doomed openly played up their zealous juvenility, while simultaneously alluding to its impermanence.
It should surprise nobody then that the band's new EP charts the same sonic arc. All's Well That Ends is the sound of idealistic hope recalibrated, of hearts momentarily stunned but not dropped to the mat. Four songs from this year's more muted Romance Is Boring are reworked, including the stunning "Letters from Me to Charlotte," featuring Kim Campesinos in a refreshingly rare turn on lead vocals. Harriet Campesinos' violin work compliments Gareth's sing/speak, giving nervous urgency to "In Medias Res" over plodding piano and softly fretted bass.
It's tempting to dwell on the band's recent loss of founding member and drummer Ollie Campesinos as having catalyzed the directional shift; to regard All's Well That Ends as nothing but a stopgap, a pause in the pursuit of more jangly, exuberant expressions, but that unfairly pegs them as reactionary. Without the need to cram every cranny with bells, whistles and xylophones, All's Well demonstrates how well the originals stand on their own merits.
The choice of covers is telling. Absent are early rave-ups like "You! Me! Dancing!" and "We Throw Parties, You Throw Knives," ignored here in favor of more recent, contemplative material, better suited for the acoustic treatment, and for perpetuating the band's developing world-view. All's Well That Ends is swift but hardly slight. Los Campesinos are growing up, jettisoning some of the beardless pomp without losing any of the meaningful circumstance. When reinterpretations are this exceptional, their future recordings can only be encouragingly, equally so.
Similar Albums:
Los Campesinos! - Romance Is Boring
Superchunk - Hello Hawk EP
Yo La Tengo - Fakebook
George Hild
08.23.2010
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